Act III Scene II PORTIA : Please wait; wait a day or two before you choose; because, in choosing wrong, I lose your company; so wait a while. The dearest friend to me, the kindest man, The best conditioned and unwearied spirit In doing courtesies, and one in whom The ancient Roman honor more appears Than any that draws breath in Italy. First go with me to church and call me wife, And then away to Venice to your friend. Here’s the scroll, The continent and summary of my fortune. Many cowards with disloyal hearts have beards like brave Hercules and Mars, the god of war, even though they have no guts and are easily frightened. She hands him a letter to take to Lorenzo, who is supposed to be a guest of Bassanio's that night. Just like you, I don't want to wait. And since once the Jew takes the flesh from me I will die, all your debts to me are cleared, if only I can see you before I die. I can't be sure of whether what I see is true until it is confirmed, signed, and ratified by you. Some dear friend dead, else nothing in the world, Of any constant man. I must rejoice within good measure and not too much. First go with me to church and call me wife, With an unquiet soul. Go, my Hercules! My purpose was not to have seen you here. Merchant of Venice. What amount of money does he owe the Jew? Since this fortune falls to you, Be content and seek no new, If you be well pleased with this ... Shakespeare homepage | Merchant of Venice | Act 3, Scene 2 While an argument can be made, based on Bassanio's focus on Portia's fortunes in Act 1, Scene 1, that his primary interest in Portia is financial, Act 3, Scene 2 helps dispel this possibility. Ay, but I fear you speak upon the rackWhere men enforcèd do speak anything. Welcome your friends here, and show them a good time. Best of all for you, you are getting a girl whose gentle spirit is fully committed to yours and is willing to be directed by you as if by her lord, her governor, or her king. He may win, And what is music then? But let me to my fortune and the caskets. How is good Antonio, that royal merchant, doing? Signor AntonioCommends him to you. Some mark of virtue on his outward parts. Some close friend of his must have died. Scene 3 Shylock, Solanio, and Antonio enter with a jailor. [To Portia] With your permission, I bid my friends and countrymen welcome, Sweet Portia. Merchant of Venice: Act 3, Scene 2 Jump to a scene. Yet look how far The substance of my praise doth wrong this shadow In underprizing it, so far this shadow Doth limp behind the substance. Where every something, being blent together. Double six thousand, and then treble that. We are the Jasons, we have won the fleece. Twenty merchants, The duke himself, and the magnificoes Of greatest port have all persuaded with him. Salanio and Salarino are concerned by news that Antonio has lost a ship. I wish I were twenty times better than myself. That steals the color from Bassanio’s cheek. Snow and fire go better together than any treason and my love. [aside] How all the other passions fleet to air, As doubtful thoughts, and rash-embraced despair, And shuddering fear, and green-eyed jealousy! No, we shall ne'er win at that sport and stake down. I thank your lordship, you have got me one. She intends to meet him soon and run away from her father's house in order to marry Lorenzo. And when you have your wedding ceremony to solidify your union, I beg that I may be married at the same time. That's how I feel now, beautiful lady, but three times more intense! Bid her welcome.—. Which makes me fear th' enjoying of my love. Have all his ventures failed? When I was with Shylock I heard him swear to his fellow Jews Tubal and Chus that he would rather have Antonio's flesh than twenty times the amount of money Antonio owes him. [reads] “You that choose not by the view, Chance as fair and choose as true. [To herself] All other emotions are flying away—doubt and rash despair, shuddering fear, and green-eyed jealousy! The beards of Hercules and frowning Mars. With all my heart, I say yes, if you can find a wife. Portia tells Bassaniothat she wants him to wait a month or two before choosing from the caskets so that she may be guaranteed his company for a while longer. Shall lose a hair through Bassanio’s fault. My eyes are as quick as yours, my lord. In the court of law, a corrupt and false plea can hide its own evil with a pleasant voice. Nor none of thee, thou pale and common drudge. In torture, Bassanio? But lest you should not understand me well— And yet a maiden hath no tongue but thought— I would detain you here some month or two Before you venture for me. I give them with this ring, Which when you part from, lose, or give away, Let it presage the ruin of your love And be my vantage to exclaim on you. Portia : I pray you, tarry, pause a day or two Before you hazard; for, in choosing wrong, I lose your company : therefore, forbear awhile. Let me choose a casket, for as it is right now I am in torture. What's the news from Venice? Yes, but I am worried that you are only saying this because you are being tortured. Actually understand The Merchant of Venice Act 3, Scene 2. Notwithstanding, use your pleasure. Such it is As are those dulcet sounds in break of day That creep into the dreaming bridegroom’s ear And summon him to marriage. Nor well, unless in mind. And so, though yours, not yours. O love, dispatch all business and be gone! Bid her welcome.— Your hand, Salerio. I will never tell you the right choice, so there's a chance you will make the wrong choice. Definitions and examples of 136 literary terms and devices. I am guilty of nothing but some mistrust, which makes me worry I may never be able to enjoy my love. The world is still deceived with ornament. BASSANIO, PORTIA, GRATIANO, NERISSA, and all their servants enter along with a SINGER. I thank your lordship, you have got me one. This scene is set in Shylock’s house. Don't ever lose it or give it away, or else that will be the sign of the ruin of your love and will give me reason to scold you. Nerissa, cheer up that stranger. But now let me try my luck and go to the caskets. When it is paid, bring your true friend along. Shakespeare juggles these differing chronologies by using Salarino and Solanio to … Notes. The scene opens in Venice, a room in Shylock's house. Read the full text of The Merchant of Venice Act 3 Scene 2 with a side-by-side translation HERE. Your fortune stood upon the casket there, And so did mine too, as the matter falls. And I spoke truly then. Or do they just seem to as I look around? The original text plus a side-by-side modern translation of. My eyes, my lord, can look as swift as yours. 'Tween snow and fire, as treason and my love. 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